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The reason for dealing with Paolo Uccello, Domenico Veneziano and Andrea del Castagno in a single publication is "a profound stylistic tie. In his emphasis on colour, Domenico Veneziano blends together the characteristics of Paolo Uccello and Andrea del Castagno." With these words Mario Salmi explained why he had approached the three artists together (Paolo Uccello, Andrea del Castagno, Domenico Veneziano, Rome, 1936).
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| Bellini | Botticelli | Bronzino | Canaletto | Caravaggio Carpaccio | Cellini | Correggio | Da Vinci | della Robbia | Donatello | Duccio | Fra Angelico | Ghirlandaio | Giotto | Gozzoli | Lippi | Mantegna | Martini | Masaccio | Michelangelo | Piero della Francesca | Pontormo | Raphael | Signorelli | Titian | Uccello |